How do you edit a draft to correct errors in grammar, usage, and mechanics, finding the one change that fixes the sentence?
Editing for grammar and usage on the Grade 10 ELA MCAS: correcting errors in subject-verb and pronoun agreement, verb tense, commonly confused words, capitalization, and spelling in a draft, identifying the single best correction, as tested in editing items and rewarded in the Standard English Conventions trait of the long composition.
How to edit a draft on the Grade 10 ELA MCAS: correcting subject-verb and pronoun agreement, tense, commonly confused words, capitalization, and spelling, and choosing the single best correction. Tested in editing items and rewarded in the essay's conventions trait.
Reviewed by: AI editorial process; not yet individually human-reviewed
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What this skill is asking
Editing is correcting a draft's grammar, usage, and mechanics, and the Grade 10 ELA MCAS tests it with items that present a sentence and ask for the single best correction. The errors editing targets are the conventions: subject-verb agreement, pronoun-antecedent agreement and clear reference, verb tense consistency, commonly confused words (there/their/they're, its/it's), capitalization, and spelling. Editing differs from revising: editing fixes how a sentence is written without changing its ideas, while revising improves the ideas and structure. The skill students lose ground on is choosing a "correction" that changes the meaning, or fixing something that is not the error. This page covers the high-frequency editing targets and the discipline of finding the one change that fixes the sentence. The transferable skill is proofreading precisely, which earns editing items and the Standard English Conventions trait on the long composition.
The high-frequency editing targets
The first move is to know the errors the test most often plants.
These are the same conventions covered in the language module, here applied to spotting and fixing an error in a draft. The reliable method is to read the sentence and ask, in order, whether the subject and verb agree, whether the pronouns agree and refer clearly, whether the tense is consistent, and whether any commonly confused word is misused. A systematic pass catches the planted error, and because each editing item usually contains one main error, naming the error type points you straight to the fix.
Finding the single best correction
Because editing items and the essay's conventions trait test the same rules, the proofreading habit you build here pays off directly when you write: the reader who can spot a tense shift or a misused "its" in an editing item can catch the same error in their own draft. Build a short mental checklist, agreement, tense, reference, confused words, capitalization, spelling, and run it on the sentence in the item and on every paragraph of your long composition. The skill is the same; only the text changes.
Working an editing item
Try this
Q1. With "neither the players nor the coach," does the verb agree with "players" or "coach," and why? [Recall]
- Cue. With "neither...nor," the verb agrees with the nearer subject, which is "coach" (singular), so the verb is "was": "Neither the players nor the coach was ready."
Q2. Edit: "Each of the students brought their own lunch, and they're responsible for it." What would you check? [Short explanation]
- Cue. Check pronoun agreement and usage. "Their" with "each" is widely accepted, though "his or her" is more formal and making the subject plural ("students") is cleanest; "they're" (they are) is correct here; and "it" clearly refers to the lunch. Expanding "they're" to "they are" confirms it fits.
Exam-style practice questions
Practice questions written in the style of MA DESE exam questions on this dot point, with worked answer explainers. The year tag is the paper they imitate, not the source.
Grade 10 ELA MCAS (style)1 marksEdit for correctness: 'Neither the players nor the coach were ready for the storm.' What is the best correction? A. No change. B. Change 'were' to 'was.' C. Change 'coach' to 'coaches.' D. Change 'Neither' to 'Either.'Show worked answer →
Answer: B. With "neither...nor," the verb agrees with the nearer subject. The nearer subject is "coach" (singular), so the verb should be "was": "Neither the players nor the coach was ready."
Why not the others: A leaves the agreement error; C changes the meaning by making "coach" plural; D changes "neither" to "either," altering the meaning rather than fixing the verb. Editing means finding the single correction that fixes the error without changing the intended meaning.
Grade 10 ELA MCAS (style)1 marksEdit for correctness: 'The scientist recorded her data carefully, then she analyze the results.' What is the best correction? A. No change. B. Change 'analyze' to 'analyzed' for consistent past tense. C. Change 'recorded' to 'records.' D. Delete 'carefully.'Show worked answer →
Answer: B. The sentence is in the past tense ("recorded"), so the second verb should match: "then she analyzed the results." The error is an inconsistent tense shift from past to present.
Why not the others: A leaves the tense error; C creates a different tense problem by mixing present and past; D deletes an adverb that is not the error. Editing for tense means keeping verbs consistent unless the meaning requires a change, and fixing the verb that breaks the pattern.
Related dot points
- Revising for clarity and development on the Grade 10 ELA MCAS: improving a draft at the level of ideas, focus, and organization (adding a missing detail or transition, removing an off-topic sentence, sharpening a vague statement, reordering for logic), distinguishing revising from editing, as tested in revising items and applied to the long composition.
How to revise a draft on the Grade 10 ELA MCAS: improving ideas, focus, and organization (adding a detail or transition, cutting an off-topic sentence, sharpening vagueness, reordering), as distinct from editing. Tested in revising items and applied to the long composition.
- Sentence boundaries and combining on the Grade 10 ELA MCAS: fixing fragments, comma splices, and run-ons by recognizing independent and dependent clauses, and combining short, choppy sentences using coordination, subordination, and other joins to improve flow and variety, in editing and revising items and the long composition.
How to fix sentence-boundary errors and combine sentences on the Grade 10 ELA MCAS: correcting fragments, comma splices, and run-ons via clause recognition, and joining short sentences with coordination and subordination for flow. Tested in items and applied to the essay.
- Word choice and precision on the Grade 10 ELA MCAS: replacing vague or general words with precise, specific ones, removing wordiness and unnecessary repetition, matching word choice to tone and audience (formal versus informal), and using connotation deliberately, in revising items and the long composition.
How to improve word choice on the Grade 10 ELA MCAS: replacing vague words with precise ones, cutting wordiness and repetition, matching word choice to tone and audience, and using connotation. Tested in revising items and rewarded in the essay's writing.
- Grammar and usage conventions on the Grade 10 ELA MCAS: applying subject-verb agreement, pronoun-antecedent agreement and clear pronoun reference, consistent verb tense, and correct word usage (commonly confused words), as tested in editing items and scored in the Standard English Conventions trait of the long composition.
How to apply grammar and usage conventions on the Grade 10 ELA MCAS: subject-verb agreement, pronoun agreement and clear reference, consistent tense, and commonly confused words. Tested in editing items and scored in the essay's Standard English Conventions trait.
- The long composition rubric and scoring on the Grade 10 ELA MCAS: how the two-trait rubric works (Idea Development scored 0 to 7, Standard English Conventions scored 0 to 3), what each trait rewards, that the essay is hand-scored by trained readers, the rule that an unscorable response earns no credit, and how to write toward the top of each trait.
How the Grade 10 ELA MCAS long composition is scored: the two-trait rubric, Idea Development (0 to 7) and Standard English Conventions (0 to 3), what each rewards, that it is hand-scored, and how to write toward the top of each trait. Learning the rubric is high-leverage.
Sources & how we know this
- Released Test Questions and Practice Tests — MA DESE (2024)
- Massachusetts Curriculum Framework for English Language Arts and Literacy — MA DESE (2017)