How do you identify figurative language and imagery and analyze the effect it creates, on every part of the Regents?
Figurative language and imagery: identifying metaphor, simile, personification, symbolism, and sensory imagery, and analyzing the effect each creates, the toolkit you apply to Part 1 craft questions and as a writing strategy in the Part 3 response.
How to identify and analyze figurative language and imagery on the Regents: metaphor, simile, personification, symbolism, and sensory imagery, and the effect each creates. The toolkit behind Part 1 craft questions and a common writing strategy for the Part 3 text-analysis response.
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What this skill is asking
Figurative language (metaphor, simile, personification, symbolism) and imagery (sensory description) are among the most common devices the Regents ELA exam asks you to analyze. They appear in Part 1 craft questions ("the figurative language creates a sense of...") and they make a reliable writing strategy for the Part 3 response. This page covers identifying each device and, more importantly, analyzing the effect it creates. The transferable skill is the move that recurs across the whole exam: not naming a device but explaining what it does to meaning.
The core devices
A small toolkit covers most of what the exam tests.
You need to recognize these quickly so naming costs no thought, freeing your attention for the effect. But recognition is only the entry ticket: a Part 1 question rarely asks "is this a simile," it asks what the simile conveys, and Part 3 rewards showing how the imagery develops the idea.
Reading the effect
Effect is where the marks are, and effect depends on context.
Imagery often works cumulatively: a single image sets a note, but a pattern of images builds a mood or tracks a change. Noticing a shift in imagery (dark to light, cramped to open) is especially powerful for Part 3, because a shift can develop a central idea about change, recovery, or growth.
Applying the toolkit
Try this
Q1. What is the difference between a metaphor and a simile? [Recall]
- Cue. A metaphor says one thing is another ("the streets held their breath"); a simile compares using "like" or "as" ("light like a hand feeling for a switch").
Q2. A story moves from dark, heavy imagery to light, open imagery. How could you use this as a Part 3 writing strategy? [Short explanation]
- Cue. Name imagery as the strategy, give the dark and light images as evidence, then explain how the shift tracks a change (such as grief lifting), developing the central idea. The felt shift is the analysis.
Exam-style practice questions
Practice questions written in the style of NYSED exam questions on this dot point, with worked answer explainers. The year tag is the paper they imitate, not the source.
Regents ELA (Part 1, style)1 marksA passage describes a city at dawn: 'the streets held their breath, and the first light tested the rooftops like a hand feeling for a switch.' The figurative language most directly creates a sense of (1) chaos, (2) quiet anticipation, (3) anger, (4) decay.Show worked answer →
Answer: (2). Analyzing figurative language means reading its effect. "Held their breath" (personification) and "tested... like a hand feeling for a switch" (simile) both suggest stillness on the edge of something, which is quiet anticipation (2).
Why not the others: (1) chaos contradicts the held breath; (3) anger is absent; (4) decay is not suggested by dawn and first light. The exam rewards reading the combined effect of the figures, here a hushed, expectant mood, rather than a literal or unrelated reading.
Regents ELA (Part 3, style)4 marksText-analysis response. A story develops the idea that grief slowly lifts. Explain how you could use imagery as the writing strategy to analyze this central idea. (Rescoped to a 4-mark application task.)Show worked answer →
Imagery makes a strong Part 3 strategy here. A response could analyze how the author moves from dark, heavy images early (a "leaden sky," a house with "the curtains drawn") to lighter ones later (a window "thrown open," "thin sunlight on the floorboards"), and explain that this shift in sensory imagery tracks the lifting of grief, developing the central idea.
Markers reward showing how the imagery develops the idea, not just listing images. The pattern is name the strategy (imagery), give specific images as evidence, then explain how the change in imagery builds the central idea. The effect, the felt shift from heaviness to light, is the analysis.
Related dot points
- Tone, mood, and diction: distinguishing tone (the writer's attitude), mood (the atmosphere felt by the reader), and diction (word choice), and analyzing how a writer's diction creates a particular tone and mood, for Part 1 questions and as a Part 3 writing strategy.
How to distinguish and analyze tone, mood, and diction on the Regents: tone (the writer's attitude), mood (the atmosphere felt by the reader), and diction (word choice), and how diction creates tone and mood. Tested in Part 1 craft questions and usable as a Part 3 writing strategy.
- Narrative and structural techniques: recognizing how a text is ordered and shaped (chronology and flashback, contrast, foreshadowing, repetition, turning points, framing) and analyzing how a structural choice develops meaning, distinct from word-level language.
How to recognize and analyze narrative and structural techniques on the Regents: chronology and flashback, contrast, foreshadowing, repetition, turning points, and framing, and how a structural choice shapes meaning, distinct from word-level language. A toolkit for Part 1 and a Part 3 writing strategy.
- Characterization and point of view: analyzing how a writer builds and changes a character (direct and indirect characterization) and how the choice of narrator and perspective (first person, third limited, third omniscient) shapes meaning, two of the strongest writing strategies for the Part 3 response.
How to analyze characterization and point of view on the Regents: direct and indirect characterization, how a character changes, and how the choice of narrator and perspective (first person, third limited, third omniscient) shapes meaning. Two of the strongest writing strategies for the Part 3 text-analysis response.
- Analyzing author's craft and purpose: explaining why a writer made a particular choice of word, structure, or technique, identifying its effect on the reader, and answering Part 1 questions about purpose, tone, and the function of a passage.
How to analyze author's craft on the Regents: explaining why a writer chose a particular word, structure, or technique and what effect it creates, and answering Part 1 questions about purpose, tone, and the function of a line or paragraph.
- Analyzing a writing strategy: choosing one writing strategy (literary element or technique), naming it accurately, and analyzing how the author uses it to develop the central idea with specific evidence, moving from labelling a device to explaining its effect on meaning.
How to analyze a writing strategy for the Regents Part 3 response: choosing one strategy, naming it accurately, and showing how the author uses it to develop the central idea with specific evidence, the move from labelling a technique to explaining how it builds meaning.
Sources & how we know this
- Regents Examinations in English Language Arts — NYSED (2025)
- New York State Next Generation English Language Arts Learning Standards — NYSED (2017)